Color finesse effect after effects pro#
Color finesse effect after effects software#
Color finesse effect after effects professional#

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Color finesse effect after effects software#

Look at any contemporary feature film or major television show, and you're likely to find strong color choices that strongly deviate from how the original scene must have looked: In an ordinary day-lit scene, the shadows might be bluish, the midtones green, and the highlights orange.Ī third-party tool, Magic Bullet Colorista, has recently been released by Red Giant Software to make this type of correction quick and intuitive in After Effects ( see Figure 23). What has been sorely missing from After Effects is a three-way color corrector, typically featuring color wheels to adjust three distinct color ranges: shadows, midtones, and highlights. And although I love the way that Color Finesse allows easy isolation and adjustment of specific secondary color ranges, I rarely use it for compositing because of how separate it is from the After Effects workflow. Furthermore, it's made up mostly of tools that resemble the ones described in the preceding section, so you'd still want to master those tools.

Color finesse effect after effects professional#

Color FinesseĬolor Finesse is a sophisticated color-correction system included with After Effects Professional unfortunately, it runs as a separate application, and doesn't allow you to see your corrections in the context of a composite, making it more suitable for overall color adjustments. Of course, there are lots of ways to adjust the color levels of an image, and new ones emerging all the time. For more information about ZED and any future events see here (opens in new tab).So far, we've laid the foundation for color correction in After Effects using its most fundamental tools. This content was produced in collaboration with HP & Intel as part of ZED (opens in new tab) - a Pop-Up Studio for the Creative Community held in Soho, London. He has written books on 3D, and produced the 3DNY Seminars for Apple and Alias. Lance Evans is creative director of Graphlink Media (opens in new tab).

Vectorscope in AE video by Andrew Devis.

Secondary Color Correction video by Andrew Devis.

Primary Color Correction video by Andrew Devis.

Color grading in layers in Adobe Premiere Pro, After Effects or Speedgrade (opens in new tab).

Color grading in passes (opens in new tab).

How cinematic color grading is actually done.

Color finesse effect after effects pro#

We are told that ProRes 422 round-trips from Final Cut Pro to After Effects and back again with few problems. Since most editing work is done in programs like Adobe Premiere or Apple's Final Cut Pro, you will need to bring your content from those programs over to After Effects, and often, back again.Īdobe's suite of tools makes this relatively easy with its application linking. The trick is to find what native tools best suit your needs.

Working in After Effectsīut don't reach for your wallet just yet, as doing all your colour correction and colour grading work inside After Effects using native tools is totally doable, and still very versatile.

This is whey many colourists and colour graders prefer working with enhancements to After Effects, using plugins like Colorista and Magic Bullet Looks, both of which help to streamline the process while continuing to work in After Effects. More likely a dedicated desktop solution can suite most heavy-duty needs, sytems like Adobe's new SpeedGrade program (part of the Creative Suite), or Apple's Color (alas, now discontinued along with Shake and other Apple solutions).īut not everyone's needs are that lofty, and production workflow can often be enhanced by keeping your work in fewer applications. If you do a great deal of this kind of work, especially grading work, then you are best served with a dedicated application, maybe a high-end system like Da Vinci’s Resolve.